Jaya Jaya Jaya Jaya Hey Movie Review | Domestic abuse satire induces chills and laughs at once | Bollywood Petals
Star Cast of Jaya Jaya Jaya Jaya Hey Movie: Azees Nedumangad, Sheethal Zackaria & ensemble, Darshana Rajendran, Basil Joseph, Aju Varghese.
Director: Vipin Das.
What’s good: The attempt to slaughter the patriarchy and misogyny by making them laugh and possibly offering women a thought or two about how to get agency!
What’s wrong: The balance between the exaggerated fantasies of a shady relationship and the actual world can be seen.
Loo Break Strictly no when Darshana and Basil Joseph are having the fight. What a scene! What A SCREEN!
To watch or not to watch? : Malayalam cinema is years ahead of any other industry. The idea is fresh and beautifully executed that you should take a look.
Available On: Disney+ Hotstar.
Jaya Jaya Jaya Jaya Hey Movie Review: Script Analysis
Rises Another. Jaya Jaya Jaya Jaya Hey is a difficult subject due to the fact that it’s not a film that can be classified into a single category. It’s about a young girl who is a well-off child but is in reality no authority in any way. She is sold, passed and treated like a pawn by the patriarchal women throughout her life, with no any concern about her status. When she is forced into an abusive marriage, she is left with no choice but to fight or die the night that was violent by remaining in silence. The mood shifts between extreme comedy and slice-of-life every now and time again, which isn’t easy to achieve.
A girl of just a few years old Jaya (Darshana) without any authority in her own life is married to the woman Rajesh (Basil) that believes he is entitled to all the surface he touches. A savage spouse, he displays his true colors , but this does not necessarily mean Jaya isn’t fighting to defend herself. She will and she punches the ego of the group in the stomach.
Although Malayalam films are a mine of ideas and is years ahead of the curve in bringing them to life as other industries battling to become commercial, it’s not the case that there were no vices. The commercial Malayalam market has been controlled by men who are portrayed as who are abusive and justified by the written. The bright side is the fact that this industry has a clear understanding of its flaws and takes active steps to correct these. Remember Fahadh Faasil from Kumbalangi Nights? Raymond The Complete Man? Didn’t it parody enough?
Authors Vipin Das and Nashid Mohamed Famy decide to go down the path where they develop a story about small-scale aggression and the gaslighting of a woman, which leads to the day she chooses to argue with the guy who is trying at making her feel inferior. There’s a way for you to make use of absurdity, over-the-top method and a hyperbole interpretation of redemption that will to your advantage and the team certainly knows this. The story slowly develops that shows Jaya is being abused, where two of them even decide to strike her, which ended with a smack, and she resents them. The gradual build-up into a thrilling showdown that is so gruesome and hilarious, you need to see it.
The dynamics of power in the film are equally split between the direction, writing and acting. It doesn’t try to take over. It makes an argument, and you can and make you laugh but not at the person who is being abused, but at the person who is abused. There’s so much intelligence within the humor that ensures that you do not laugh at mistakes, but rather at the circumstances of the abuser who is forced to try the poison he has taken. This is a classic illustration of how to convey a message while entertaining. You can think of it as Alia Bhatt’s Darlings however, the two are distinct in their own unique way.
The only instance where the film flickers is when it transitions from the OTT tone and the real world where families are. It is evident that the transition and the hiccup it brings. This can cause some anxiety however the storyline and writing are compelling enough to pull you back.
Basil Joseph is a creative creature and there is no doubt about it. As a director who directed Minnal Murali, he’s an actor who is as natural as Jaya Jaya Jaya Jaya Hey. In no moment does he allow look down at his poor eyes because he’s so convinced of his status as a man-child, there isn’t any actor performing the role and they’ll blend in. When a punch is landed on his face and he’s kicked, you rejoice. The way he performs will make you cheer for Jaya’s win.
In relation to Jaya Darshana Rajendran, she has an ability to convey the most subtle expressions. She knows that the setup around her is ridiculous and too dramatic (for good reason) So she doesn’t play the role too much, instead she makes it light and subdued. It is possible to see a sophisticated actor trying to recreate the character’s journey and do it easily.
Vipin Das The direction of Vipin Das is smart. There’s a fine art in making a story come to the point that can make the audience feel. Not everyone can do it. He will make you feel pain, laugh and express his opinion by trying to make everyone distinct. The world he creates is visually with Bablu Aju, meaning there’s no need to have any dialogue or voice-over to explain things.
Ankit Menon’s songs are unique and so original for a film that is unique in its own way that you must take pleasure in it. It’s been quite difficult to determine the “sur” in this film and the music they’ve created is excellent.
Jaya Jaya Jaya Jaya Hey Movie Review: The Last Word
Jaya Jaya Jaya Jaya Hey can be described as a wonderful platter with everything set and waiting for you to try and relish it. Come in for an unforgettable experience.